Donnerstag, 22.02.2024 19:43 Uhr

Let Us Forget the World - Volksoper 1938

Verantwortlicher Autor: Nadejda Komendantova Volksoper Vienna, 16.01.2024, 17:27 Uhr
Nachricht/Bericht: +++ Kunst, Kultur und Musik +++ Bericht 4842x gelesen

Volksoper Vienna [ENA] Let Us Forget the World - Volksoper 1938 is a piece created by Theu Boermans and Keren Kagarlitsky, is a poignant and thought-provoking exploration that transcends the traditional boundaries of operetta. This performance, presented in German with English subtitles, skillfully navigates the delicate balance between the escapist allure of operetta and the harsh realities of a world succumbing to political turmoil.

Operetta, historically a refuge for escapism and a retreat into dreamlike realms, confronts its own purpose when faced with the inescapable realities of life. Set against the backdrop of the Volksoper in the tumultuous early months of 1938, during rehearsals for the operetta 'Gruß und Kuss aus der Wachau,' the production confronts the intrusion of contemporary political upheaval into the sanctuary of the operatic stage. The narrative delves into the impact of intolerance, discrimination, and fascism on the collaborators within the Volksoper.

The unfolding political discussions and accusations disrupt the harmony of collaboration. As the National Socialists seize power, the Volksoper undergoes profound changes, with dismissals occurring across all levels of the institution— from opera singers and conductors to orchestra musicians and librettists. The dismissals are not arbitrary; they target individuals based on their Jewish heritage or political affiliations, marking a dark period in the history of the Volksoper. The production unflinchingly reflects upon this painful chapter, refusing to shy away from the historical confrontation it demands.

In 'Let Us Forget the World - Volksoper 1938,' director Theu Boermans masterfully resurrects the delightful and cheerful entertainment of Beneš' operetta on the Volksoper stage, juxtaposing it with the chilling political reality of the Nazi era. Conductor Keren Kagarlitsky contributes to the authenticity of the performance by reconstructing the score of 'Gruß und Kuss aus der Wachau' from the scant surviving materials.

The brilliance of the production lies in its seamless integration of past and present. The contemporary ensemble steps into the shoes of their historical counterparts, creating a compelling bridge between then and now. This not only serves as a testament to the enduring power of artistic expression but also fosters a visceral connection between the audience and the historical events unfolding on stage.

Boermans' direction is commendable for its sensitivity to the delicate subject matter. The narrative gracefully weaves between the light-hearted atmosphere of operetta and the somber undertones of a world grappling with fascism. The shifts between the exuberant performances of the operatic ensemble and the stark realities of political interference are executed with finesse, offering the audience a nuanced and immersive experience.

Kagarlitsky's commitment to reconstructing the operetta's score is a testament to the dedication of the creative team. The music becomes a poignant thread connecting the past and the present, enhancing the emotional resonance of the production. The delicate balance between musical exuberance and the weight of historical context is expertly maintained throughout. The decision to have the contemporary ensemble portray their historical counterparts adds an additional layer of complexity and depth to the performance. It underscores the universality of the themes explored, emphasizing that the echoes of the past continue to resonate in the present.

In conclusion, this performance stands as a powerful and evocative piece that transcends the boundaries of traditional operetta. Boermans and Kagarlitsky, along with the exceptional ensemble, have crafted a performance that serves as both a tribute to the enduring spirit of artistic expression and a stark reminder of the historical shadows that linger. This production not only entertains but also challenges the audience to reflect on the transformative potential of the arts in the face of political adversity. It is a testament to the resilience of of creativity and the imperative of confronting uncomfortable truths through the medium of performance art.

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